Michelangelo's 'The Last Judgment' is undergoing a meticulous restoration process, revealing a hidden layer of salt that has accumulated over the centuries. This restoration is a delicate operation, taking place on a floor-to-ceiling scaffolding that has obscured the imposing fresco of heaven and hell that dominates the front of the chapel. The cleaning operation is expected to be completed by Easter, in the first week of April. The public can continue to visit in the meantime, but will have to settle for a reproduction of 'The Last Judgment' superimposed on a screen that covers the scaffolding.
The film of salt, described as a 'cataract' by Vatican Museum officials, has accumulated due to the nearly 25,000 people who pass through the Vatican Museums each day. Climate change also plays a role, as visitors tend to sweat more, creating even more humidity that reacts with the fresco. The restoration team, led by Fabio Moresi, uses Japanese rice paper and distilled water to carefully remove the salt film, revealing the vibrant colors and intricate details of Michelangelo's masterpiece.
This restoration is particularly significant as it highlights the impact of human activity and climate change on historical artworks. The Vatican is also studying ways to address humidity levels, through filtration systems and other technologies, to prevent the salty film from forming again. The Sistine Chapel, where 'The Last Judgment' is located, underwent a complete restoration between 1979 and 1999, removing centuries of smoke, grime, and wax buildup. The Vatican has left small patches of the pre-restored fresco intact to show the difference, which are now visible on the upper floors of the scaffolding.
The restoration of 'The Last Judgment' is a testament to the dedication and expertise of the Vatican's restoration team, ensuring that this Renaissance masterpiece will continue to inspire and captivate audiences for generations to come.
